Lund Humphries Landmarks – Looking Back, Looking Forward

Valerie Holman rounds off a year of Lund Humphries anniversary celebrations with a selection of the company’s highlights and successes of the past 75 years. To celebrate 75 years of art publishing, every month this year a Lund Humphries author has focused on a single ‘landmark’ publication from the firm’s long list, bringing to light the stories behind […]

British Art Now and Then: Celebrating 75 Years of Art-book Publishing

Back in the 1940s, when Britain still had an Empire and Peter Gregory was developing a fledgling art-publishing list at Lund Humphries, contemporary British art was relatively straightforward to define, even if Britishness and avant-garde art sometimes seemed awkward bedfellows. At the Lund Humphries 75th anniversary talk at the ICA on 26th November 2014, the […]

Lund Humphries Landmarks – British Sculptors and Sculpture series (1991 – )

Penelope Curtis discusses the British Sculptors and Sculpture series, a series of books jointly published by Lund Humphries and the Henry Moore Foundation, beginning in 1991 that sought to reappraise the works of a range of underappreciated British artists. The Henry Moore Foundation had an historic association with Lund Humphries, given that it was Moore’s publisher of […]

Lund Humphries Landmarks – The Last Romantics: The Romantic tradition in British art: Burne-Jones to Stanley Spencer, edited by John Christian (1989)

John Hoole cherishes Lund Humphries’ 1989 publication The Last Romantics for its revelation of under explored ties between Pre-Raphaelite and Modern art, and Victorian and 20th-century culture. Twenty five years ago, Lund Humphries published The Last Romantics: The Romantic tradition in British art: Burne-Jones to Stanley Spencer, a catalogue to accompany an exhibition at Barbican Art Gallery. […]

Lund Humphries Landmarks – Ivon Hitchens, edited by Alan Bowness with an essay by T. G. Rosenthal (1973)

Peter Khoroche discusses Lund Humphries’ 1973 book on Ivon Hitchens as the ‘benchmark’ for all future writing on the artist It seems astonishing that until 1973 the only monograph on Ivon Hitchens (1893-1979) was the one by Patrick Heron, published in the Penguin Modern Painters series in 1955. His essay, illustrated by 32 plates (only half […]

Promotion through print: The printed works of C.R.W. Nevinson

To coincide with of the publication of Jonathan Black’s new book and a display of printed works at Osborne Samuel, David Boyd Haycock discusses C.R.W. Nevinson’s single-minded pursuit of artistic renown and how his printed works in particular were a vital promotional tool. It has long been my impression that the thing C.R.W. Nevinson wanted most […]

Lund Humphries Landmarks – William Scott: Paintings, edited and introduced by Alan Bowness, with contributions from Michel Ragon and Werner Schmalenbach (1964)

Frances Spalding discusses the modern ‘cool’ of Lund Humphries’ 1960s monograph on William Scott and reflects on the cementing of the artist’s style in the preceding decade. This monograph followed the format laid down by the first Lund Humphries monograph in 1944, but its style belongs very definitely to the 1960s. The typeface chosen is […]